For LGBTIQ+ communties crime is too much of a reality. Across the globe queer people are more likely to be victims of crime, historically they have been more likely to be criminalised, and in many places the fear of imprisonment for being nothing more than who you really are is far, far too present. So in this post we are going to pinpoint some of the best podcasts and books TCF has reviewed over the last seventeen months which whether fiction or non-fiction have an LGBTIQ+ element.
This week Mairi sit's down with crime fiction author Amy Suiter-Clark to talk about the process of writing her debut Girl, 11, and many other things crime fiction, including why neither of them will ever light up a room.
Until then, she and Hugo were just a summer fling. Exciting for her, because Hugo had looks and threw money around like no one’s business. Exciting for him because Carly, if not quite from the wrong side of the tracks, was definitely from a different station. Now Carly realised that, if she played her cards right – acted like she cared and moved fast – he might actually fall for her. She ran a hand gently through his clean, lemony hair.
Many writers, even those native to the Highlands can imbue their descriptions with a sense of twee kitsch and a paint by numbers version of what is a beautiful, but highly complex, part of the world. Writing the Highlands is easy, but writing the Highlands well, with a sensitivity to the land and it's deep history is a feat that only those with a unforced empathy can complete.
Creature X is ultimately trying to entertain, rather than change the world, and egoistic conceit to begin with, and sometimes, as long as it is done mindfully, and conciously of impact of steriotypes entertainment for it's own sake is enough. And perhapse, while writing a hunt for a mythological creature, Dupuis has managed a few blows in getting rid of other dinosaurs altogether.
This international women's day, I've dropped a special bonus episode where I talk to crime fiction author CJ Cooper about women and crime. The conversation includes, but is not limited to, women serial killers, methods of murder and societal constructions of women's violence. CJ is published by Little Brown, and her first two novels The …
With the last chapters and our look at how Esther's disaperance came to shape their future lives, and became woven into their emotional foundations of those involved. Genuinely, I wept, and who out of us would not weep when we faced with the great tragedy of all human lives, that even when the blissful moments of childhood are infrequent, it is a state we all yearn for, but will never be able to return to, exiled from it as we are by the knowing that we sought, and the knowing which is thrust upon us.
February 14th 2022, is True Crime Fiction's first birthday, so I feel it is important to thank everyone who has been listening to the podcast, reading the website, sharing and liking posts and in general to those who have enjoyed TCF. It has been hard work, and at times the review schedule has felt a little oppressive, but given that I was not really sure what would come out of True Crime Fiction, I am really pleased with what it has produced. We've had over 11,000 downloads in the first year and we've got plans for future development.
It is the slow building of a sense of place, time and people over a series of novels that allows one the same sense of emotional investment as one would have to Ellis Peters, or Lyndsey Davis. For historical crime fans this is going to be the new must-read series.
Ivy, is very much a woman of her time, and as culture is currently obsessed with rewriting every historical woman as a "badass," there is something refreshing in finding a woman who operates to actively find the answers she needs within her times restrictions rather than creating a fabulist narrative of the ease of societal change.