For LGBTIQ+ communties crime is too much of a reality. Across the globe queer people are more likely to be victims of crime, historically they have been more likely to be criminalised, and in many places the fear of imprisonment for being nothing more than who you really are is far, far too present. So in this post we are going to pinpoint some of the best podcasts and books TCF has reviewed over the last seventeen months which whether fiction or non-fiction have an LGBTIQ+ element.
Motherhood is an idea that permeates If You Tell by Greg Olsen by it's absence. Olsen recounts the life of Shelly Knotek, who killed three, and abused countless others, including her own children. Knotek could easily be cast in the role of femme fatal, her good looks attracting many unsuspecting men into her orbit, but that would be too surface a reading of what is a clearly aberant pshycology. Instead Olsen makes his readers the proverbial frog in water slowly begining to boil, as he trace the development of Knotek from a troubled and difficult child and teen into a fully fledged murderer.
Until then, she and Hugo were just a summer fling. Exciting for her, because Hugo had looks and threw money around like no one’s business. Exciting for him because Carly, if not quite from the wrong side of the tracks, was definitely from a different station. Now Carly realised that, if she played her cards right – acted like she cared and moved fast – he might actually fall for her. She ran a hand gently through his clean, lemony hair.
With the last chapters and our look at how Esther's disaperance came to shape their future lives, and became woven into their emotional foundations of those involved. Genuinely, I wept, and who out of us would not weep when we faced with the great tragedy of all human lives, that even when the blissful moments of childhood are infrequent, it is a state we all yearn for, but will never be able to return to, exiled from it as we are by the knowing that we sought, and the knowing which is thrust upon us.
February 14th 2022, is True Crime Fiction's first birthday, so I feel it is important to thank everyone who has been listening to the podcast, reading the website, sharing and liking posts and in general to those who have enjoyed TCF. It has been hard work, and at times the review schedule has felt a little oppressive, but given that I was not really sure what would come out of True Crime Fiction, I am really pleased with what it has produced. We've had over 11,000 downloads in the first year and we've got plans for future development.
It is the slow building of a sense of place, time and people over a series of novels that allows one the same sense of emotional investment as one would have to Ellis Peters, or Lyndsey Davis. For historical crime fans this is going to be the new must-read series.
Ivy, is very much a woman of her time, and as culture is currently obsessed with rewriting every historical woman as a "badass," there is something refreshing in finding a woman who operates to actively find the answers she needs within her times restrictions rather than creating a fabulist narrative of the ease of societal change.
This kind of elitism and snobbishness has always existed in the arts. However what the many who tightly cling to this sense of superiority do not realise is that it is only very recently that realism has crept into literature - think about Homer, Beowulf, Shakespeare with his Wyrd Sisters, Titania and Oberon. Human beings have always enjoyed a good does of the mysterious, miraculous, mythological and the unexplainable in our stories.
McGowan, feels like the right person to have written this book. It is true as a fiction writer she doesn't have the investigative experience of a journalist or former detective, nor the sharp academic skill of a criminologist or sociologist, but what makes her perfect is that she herself grew up in the triangle and was a young woman at the time of the dissaperances and murders.
What Russo firmly does is place the outcomes of the cult, within a cultural context of the crumbling American empire, and the death of the public service ideal. By doing this he makes the scared, isolated lives the cult members live much more a symptom of the modern worlds lack of connection, community and shared values, rather than the punchline of a joke.