Mead's central charctor, John Spector, is the magician who helps the police unravel, this fiendishly difficult murder. As a conjuror he is perfectly placed to understand the art of illusion and distraction, and fits wonderfully well into the narrative. However, we learn little about who Spector is, and how he has come to be assisting the police, leading his presence to be essentailly the third mystery of the book.
For LGBTIQ+ communties crime is too much of a reality. Across the globe queer people are more likely to be victims of crime, historically they have been more likely to be criminalised, and in many places the fear of imprisonment for being nothing more than who you really are is far, far too present. So in this post we are going to pinpoint some of the best podcasts and books TCF has reviewed over the last seventeen months which whether fiction or non-fiction have an LGBTIQ+ element.
In life things are seldom as permanent as we think they will be when we are children. The art of accepting and living with change is one of the secrets of life, and one that all of us will struggle with at some point, whether it is the end of a relationship, a job, or …
Motherhood is an idea that permeates If You Tell by Greg Olsen by it's absence. Olsen recounts the life of Shelly Knotek, who killed three, and abused countless others, including her own children. Knotek could easily be cast in the role of femme fatal, her good looks attracting many unsuspecting men into her orbit, but that would be too surface a reading of what is a clearly aberant pshycology. Instead Olsen makes his readers the proverbial frog in water slowly begining to boil, as he trace the development of Knotek from a troubled and difficult child and teen into a fully fledged murderer.
With the hindsight that living in a different era gives us we can easily see that for some of these women, it was the strict, inflexible mores of Victorian society that led them to their fates, and had they lived in different times, may have had very different outcomes.
It does not appear to matter how many family annihilators wipe out of existance the people they are meant to love the most, shocked colleagues or neighbours still talk about what a nice, quiet man he was. We still do not believe that if we as individuals have judged a person to be safe - that maybe we are not seeing everything - so majesticly omnipresent we consider ourselves to be.
This week Mairi sit's down with crime fiction author Amy Suiter-Clark to talk about the process of writing her debut Girl, 11, and many other things crime fiction, including why neither of them will ever light up a room.
It is never long before crime fiction follows true crime, and one has to wonder if the podcaster could be poised to replace the private eye, who's peak in crime fiction does feel somewhat in the past. The prospect of the podcaster as the new crime fiction hero - or more likely heroine, given true crimes demographics - is intriguing, as they bring in not just a new job, but drag with them an audience.
Until then, she and Hugo were just a summer fling. Exciting for her, because Hugo had looks and threw money around like no one’s business. Exciting for him because Carly, if not quite from the wrong side of the tracks, was definitely from a different station. Now Carly realised that, if she played her cards right – acted like she cared and moved fast – he might actually fall for her. She ran a hand gently through his clean, lemony hair.
It will not be a surprise to many that the News of The World would be tangled up in this most shady episode as they became a by-word for the absolute worst of tabloid journalism, souring countless lives, with it's underhand tactics.